Monday, October 31, 2016

Cheerleader Concubine- Tentacle Induced Intestinal Displacement 2016


                                                                                             Released September 16th, 2016



Cheerleader Concubine

Tentacle Induced Intestinal Displacement



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Notes I Took:



  • Read a Room. The general vibe of this album is a snug combination of slam and grind. Both the drums and guitar get rather “noisy” from time to time, figuratively and literally. It stuck out to me that the guitars occasionally took on a “twang” pitch in between all the slamming and the drums would sometimes fall into a state of clutter that both attributed to that “noise” undertone I kept picking up on/  These guys weren’t afraid to experiment with timing and tone in this material which I personally think gives it more room elbow to progress in the future.


  • Notice Me Hentai. The samples are as expected as they are beloved. This album didn’t let me down with the feature of sexually abusive and humorous. They are worth a mention but not a whole section; good but not the star of the show. 



You Guest It. The real jewels on this crown were undoubtedly the vast array of guest vocalists they had featured in this album; not forgetting about the guest rapper. The outreach of creative input on this album is outstanding.  You can tell a lot of different minds contributed to this project and it shines in the excellence of the material. A real shout out for:

-Guest Intro by Yurunyan
-Guest Rap by Kill Bill
-Guest Vocals by 
                            Meik of Goreputation
                            Spetsnaz of Go-Zen
                            Jason of Bong Rips For Jesus
                            Christian of Beastiality Boys
                            Lennon of Decimated Humans/Pestilent
                            John of Unicorn Hole
                            and 
                            Evan of Jesus Wept

                                                   You all get a gold star from me.

As I've mentioned before I am a huge supporter of musical collaborations in high hopes that the boundaries of genres, along with the human experience, can be explored and exposed.  

Overall. This was a really good fucking listen and a great release for 2016. I like this silliness of this band's demeanor and I like where they are going musically. Personally this album was such a fun listen because each song is so different from the last that it kept my attention the entire time. 

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